Everything Will Be Alright in the End: Difference between revisions
Everything Will Be Alright in the End (view source)
Revision as of 22:36, 28 October 2017
, 28 October 2017Added info on La Mancha Screwjob being considered for the album
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Rivers stated that the album was a culmination of four years of interacting with fans "all of whom have the same desire as him, a classic Weezer album." In a Rolling Stone article, Rivers says "I [Rivers] wanted to make a complex, classic album," he says. "And I knew it was going to take time." But early this year, he hit a creative wall. "I had a lot of songs, but I didn't have total confidence in anything I was doing." This past May, he says, "I came out with such a strong vision of the album. I tried to calm down, but it was very hard." His vision, he says, was of a three-part structure for the album. One third is made up of "classic girl songs - we'll call that 'Belladonna,' " he says. The second batch covers Weezer's relationship with their fans. "That section is called 'The Panopticon Artist,'" he says, referencing the concept of a prison whose inmates are constantly watched. "Then there's a third and final group of songs about father figures," Cuomo says. "I'm going to call that 'Patriarchia' - that's a new word I came up with." He went on to add "I haven't felt this protective of an album in a long time," Cuomo adds. "I put so much of the deepest part of my soul into this that it feels like I'm really on the line, in a way that I haven't been on many albums." | Rivers stated that the album was a culmination of four years of interacting with fans "all of whom have the same desire as him, a classic Weezer album." In a Rolling Stone article, Rivers says "I [Rivers] wanted to make a complex, classic album," he says. "And I knew it was going to take time." But early this year, he hit a creative wall. "I had a lot of songs, but I didn't have total confidence in anything I was doing." This past May, he says, "I came out with such a strong vision of the album. I tried to calm down, but it was very hard." His vision, he says, was of a three-part structure for the album. One third is made up of "classic girl songs - we'll call that 'Belladonna,' " he says. The second batch covers Weezer's relationship with their fans. "That section is called 'The Panopticon Artist,'" he says, referencing the concept of a prison whose inmates are constantly watched. "Then there's a third and final group of songs about father figures," Cuomo says. "I'm going to call that 'Patriarchia' - that's a new word I came up with." He went on to add "I haven't felt this protective of an album in a long time," Cuomo adds. "I put so much of the deepest part of my soul into this that it feels like I'm really on the line, in a way that I haven't been on many albums." | ||
Rumor has it Rivers was asked by Ric Ocasek to revisit some of his favorite unused songs from [[The Green Album]], the last time the producer worked with the band. The first was an unknown demo that was reworked into "[[Lonely Girl]]," and the second was "[[Burning Sun]], | Rumor has it Rivers was asked by Ric Ocasek to revisit some of his favorite unused songs from [[The Green Album]], the last time the producer worked with the band. The first was an unknown demo that was reworked into "[[Lonely Girl]]," and the second was "[[Burning Sun]]", which was reworked into a song called "Weekend Girl." The latter went unused until ''[[Pacific Daydream]]'', when it was reworked again into "[[Weekend Woman]]." There were also focus groups held after concerts in which hardcore fans were played some of the new tracks and asked to give feedback. In an interview with NPR on October 2017, Rivers revealed that the Pacific Daydream track "[[La Mancha Screwjob]]" was also considered for this album, but didn't fit with the overall theme. | ||
Although the album was originally given a release date of September 30th, it was delayed until October 7th. | Although the album was originally given a release date of September 30th, it was delayed until October 7th. |