Now Playing: Difference between revisions
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|Type = studio | |Type = studio | ||
|single 1 = "Touch My Fuzz" (1997) | |single 1 = "Touch My Fuzz" (1997) | ||
|single 2 = [["A Punk Named Josh"]] (1998)}}}} | |single 2 = [["A Punk Named Josh"]] (1998){{| Misc = Extra album cover 2 | ||
| Upper caption = Alternate cover | |||
| Type = studio | |||
| Cover = Chopper-One-reissue.jpg | |||
| Lower caption = reissue cover}}}}}} | |||
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The album was reissued by Restless Records in 1998 under the name ''Chopper One'', with a new artwork, and a newly-recorded single [["A Punk Named Josh"]] replacing "Mary's Clothes" in the otherwise unchanged track listing - although they did leave off the original hidden track. This release heralded a new line-up for the band, which added guitarist Dallan Baumgarten, and replaced original drummer Tyrone Rio with Troy Zeigler. | The album was reissued by Restless Records in 1998 under the name ''Chopper One'', with a new artwork, and a newly-recorded single [["A Punk Named Josh"]] replacing "Mary's Clothes" in the otherwise unchanged track listing - although they did leave off the original hidden track. This release heralded a new line-up for the band, which added guitarist Dallan Baumgarten, and replaced original drummer Tyrone Rio with Troy Zeigler. | ||
At the time of release, the album was fairly well-received by weezer fans. The band even played at a couple of weezer fan club gatherings, and contributed the album track "I Like You" to the benefit compilation [[Hear You Me! A Tribute To Mykel And Carli]]. However, time has not been kind to the disc, as many boardies deride its sunny pop sheen and slick production. Still, some consider it a lost power-pop gem. | At the time of release, the album was fairly well-received by weezer fans. The band even played at a couple of weezer fan club gatherings, and contributed the album track "I Like You" to the benefit compilation [[Hear You Me! A Tribute To Mykel And Carli]]. However, time has not been kind to the disc, as many boardies deride its sunny pop sheen and slick production. Still, some consider it a lost power-pop gem. | ||