Draft:Weezer Recording Chronology: 1992: Difference between revisions

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{{Karlification box|...another "bootleg" by karl|[https://web.archive.org/web/20140519063254if_/http://daveandnikolai.com/wzr/classic/03_Recording_History/WeezRecHist4.html Weezer Recording History, Page 4]}}
{{Karlification box|...another "bootleg" by karl|[https://web.archive.org/web/20140519063254if_/http://daveandnikolai.com/wzr/classic/03_Recording_History/WeezRecHist4.html Weezer Recording History, Page 4]}}
{{Karlification box|This demo was recorded at a weird little 16 track studio in Hollywood. It was actually a converted garage at some dude's house. Weezer's aquaintence John Pikus (of El Magnifico and later the Campfire Girls) was the engineer. They banged it out over the course of 2 days. They could have worked faster but the studio was being "borrowed" with out the knowledge of its owner, who was only absent at certain times.
In any event, John was at the time a capable but still learning engineer, and the tape, while being the best-yet representation of the band, was still flawed by sonic strangeness, such as a snare drum that sounded like a tennis ball hitting a racket at Wimbledon.
Jon Pikus writes:
"i actually was paid for my services, in the form of a pair of stereo speakers (the kind you buy from a dude in a van for like $100, who lures you in by asking if you want to buy some "studio monitors"). the studio's usual monitor speakers had gone missing and we needed to mix, so one of the guys in the band brought these giant speakers in, we mixed on them, and then in lieu of payment (which i think we all estimated at around $200, but no one had any cash) they left me the speakers as my compensation. then i blew them up shortly thereafter on another session.
matt and i mixed it late night 'cause the others had gone home, until 4 am, heavily referencing the surfer rosa CD which was the only album we had there, the cracking snare sound was an impulsive late night decision that just seemed to lend itself to the recording (in retrospect does it crack a little too much? well, sure)
the intro of undone had some talking from bandmembers of Wax, joe sib & soda i think, in addition to the vinyl snippets we mixed in..." [actually I recall a lot of mentioning of Wax done by Matt and the guys in their vocal takes. I dont recall any actual Wax member in attendance, but it HAS been over 10 years...] -karl
"...i had my mastering guy Alan Yoshida at A&M; master it for me for free as a favor. there was also a short bonus track of rivers playing beethoven's 9th symphony for like 30 seconds that got left off. i thought that say it aint so was the real gem of the session, and i kept it on my production reel for a few years to follow." ---Jon pikus
The band dove into the bizarre world of trying to get signed at this point, printing up many copies of the tape, and agressively sending them to label offices, lawyers, and producers, and giving them out to label-personnel at shows. Overall there were 3 different printings made. There were no j-cards, just adhesive label stickers on the cassettes. The first set (about 75 cassettes) had light blue labels. The second (about 100) had green ones, and #3 (about 100) had yellow labels.
The tape consisted of 4 songs, listed below. However the band recorded 5 songs. They were never quite satisfied with "Surf Wax America", so that song was only added to a handful of copies for the band's freinds. it was put on the unlabelled side B. I would guess that less than 15 copies have "Surf Wax" on the back side.
The "Undone" on this demo had karl's first weezer recording contribution, a short sequence of samples from various weird records, recorded in the beginning 2 verses. The band also did the talking thing, and the result was pretty chaotic. I used Star Wars quotes (Darth's "you are part of the rebel alliance, and a traitor!"), Gollem (from the Hobbit movie: "tasty morsels..."), and some other bits of nonsense.
the 9th symphony bit that Pikus recounts was in fact recorded, but I beleive was a 'coda' to undone on the original demo tape. It breaks down with wacky chords after a mistake. This bit never made it to mp3/bootleg form.|[https://web.archive.org/web/20140519063254if_/http://daveandnikolai.com/wzr/classic/03_Recording_History/WeezRecHist4.html Weezer Recording History, Page 4]}}


=== 5092 Club show, November 7, 1992 ===
=== 5092 Club show, November 7, 1992 ===
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edits