Draft:Weezer Recording Chronology: 1994-1997: Difference between revisions

=== Sessions at Electric Lady Studios, August 27-September 6, 1995 ===

These sessions marked the beginning of the almost year-long recording process of the album that would become ''Pinkerton''. These songs, despite likely being recorded for the only partially-written ''SFTBH'', were all recorded separately with little to no story continuity, in order to get a jumpstart on the second Weezer album.

{{Known recordings header}}

{{Known recordings entry|ffaaaa|[[Weezer]]|[[Longtime Sunshine]]||[[September 6]], [[1995]]|Electric Lady Studios, New York City, NY|||Version 2}}

{{Known recordings footer}}

Wilson also recorded some 24-track demos under the alias of "[[Huge Guy]]" in a separate room at Electric Lady when he wasn't needed during Weezer's sessions.

{{Known recordings header}}

{{Known recordings entry|ffaaaa|[[Huge Guy]]|[[There Is a Book|It's All So Simple]]||[[August 27]]-[[September 6]], [[1995]]|Electric Lady Studios, New York City, NY|||24-track demo, early version of "[[There Is a Book]]" by the Special Goodness}}

{{Known recordings footer}}

And in yet another room, "Susanne" was being remixed for the ''[[Mallrats: Music from the Motion Picture|Mallrats]]'' soundtrack.

{{Karlification box|A lot of stuff was happening all at once. The Blue album touring had finally been wrapped up. Rivers had gotten himself accepted at Harvard for the upcoming fall semester, and was looking forward to escaping the limelight for a while. The band was up for 5 different Mtv Video awards and the awards show was coming up on the 7th in NYC. I was to help the still leg-braced Rivers move to Boston immediately after the awards (which he ironically ended up not attending.) Studio time was booked, in order to get a head start on the new album, which was only partly written at this point.