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Weezer: Difference between revisions

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{{Main|Main article: [[Weezer (The Green Album)]]}}
{{Main|Main article: [[Weezer (The Green Album)]]}}
====Picking a producer, getting approval====
====Picking a producer, getting approval====
By August 18, 2000, Weezer was having meetings with various producers, learning and rehearsing new songs in their new garage, and ironing out all plans regarding recording a new album.  Weezer fans voted on a .com poll to select their favorite songs for a demo tape which was sent around to producers.  On August 23, the band ran into Ric Ocasek while performing in New York City.  On [[October 5]], Rivers had his braces removed and word o a Christmas EP was announced.  In mid October, the band rehearsed the song "Move It On" for the Christmas album, but details regarding it were still mostly unknown.  Even as Karl frequently updated the website with "Album #3" news, it was announced on November 6 that Interscope had not actually approved any kind of new album.  Weezer sent a demo tape of five songs, which Karl called the "higher ups", to Interscope/Geffen and wrote he hoped they saw the "awesomeness" of the songs.  The five songs on the tape were "No More Confusin'", "[[Sugar Booger]]", "[[Don't Let Go]]", "Ayleen", and "[[Cryin' and Lonely]]."
By August 18, 2000, Weezer was having meetings with various producers, learning and rehearsing new songs in their new garage, and ironing out all plans regarding recording a new album.  Weezer fans voted on a .com poll to select their favorite songs for a demo tape which was sent around to producers.  On August 23, the band ran into Ric Ocasek while performing in New York City.  On [[October 5]], Rivers had his braces removed and a Christmas EP was announced.  In mid October, the band rehearsed the song "Move It On" for the Christmas album, but details regarding it were still mostly unknown.  Even as Karl frequently updated the website with "Album #3" news, it was announced on November 6 that Interscope had not actually approved any kind of new album.  Weezer sent a demo tape of five songs, which Karl called the "higher ups", to Interscope/Geffen and wrote he hoped they saw the "awesomeness" of the songs.  The five songs on the tape were "No More Confusin'", "[[Sugar Booger]]", "[[Don't Let Go]]", "Ayleen", and "[[Cryin' and Lonely]]."


On [[November 9]], 2000, it was announced on Karl's Corner that Ric Ocasek (producer of [[Blue Album]]) would be producing Weezer's third album.  Karl wrote, "Almost every possible factor in the making of this new album had been called into doubt for one reason or another in the recent period since getting off the road in mid-September, from the inaccessibility of several possible producers, to the inaccessibility of certain key preferred studios, to the caliber of the songs being rehearsed by the band... several possible producers were met with, including Jerry Harrison (formerly of the Talking Heads) , Jerry Finn of Blink-182's "Enema of the State" fame, and Dave Sardie of the sonically groundbreaking band Barkmarket. Additionally, numerous producers that the band were at least interested in meeting, either expressed interest in doing the album but had scheduling conflicts, or simply failed to get back to the band with any response whatsoever.
On [[November 9]], 2000, it was announced on Karl's Corner that Ric Ocasek (producer of [[Blue Album]]) would be producing Weezer's third album.  Karl wrote, "Almost every possible factor in the making of this new album had been called into doubt for one reason or another in the recent period since getting off the road in mid-September, from the inaccessibility of several possible producers, to the inaccessibility of certain key preferred studios, to the caliber of the songs being rehearsed by the band... several possible producers were met with, including Jerry Harrison (formerly of the Talking Heads) , Jerry Finn of Blink-182's "Enema of the State" fame, and Dave Sardie of the sonically groundbreaking band Barkmarket. Additionally, numerous producers that the band were at least interested in meeting, either expressed interest in doing the album but had scheduling conflicts, or simply failed to get back to the band with any response whatsoever.