Pitchfork: Difference between revisions
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'''''Pitchfork''''', formerly known as '''''Pitchfork Media''''', is a New York City-based daily Internet publication devoted to criticism, commentary, news, and interviews pertaining mostly to independent music. ''Pitchfork'' awards albums a score out of 10, while its track reviews give songs a score out of 5. Its editors have, over time, helped steer a critical consensus around {{PN|Weezer}} discography: the band's 20th century output is met with great critical acclaim, while everything released after {{PN|1996}} ''[[Pinkerton]]'' has received negative to middling reviews. | |||
==Reviews== | |||
===Albums=== | |||
{| class="wikitable sortable" style="width:70%; height: 350px;" "float:left; clear:none; font-size:.9em; text-align:center;" | |||
! style="background: #7ad;" |Release | |||
! style="background: #7ad;" |Rating | |||
! style="background: #7ad;" |Review date | |||
! style="background: #7ad;" |Author | |||
! style="background: #7ad;" |Excerpt | |||
|- | |||
| |<center>''[[Pinkerton]]'' (1996)<br>[[Image:Weezer Pinkerton.jpg|100px]]</center> | |||
| |{{Rating-big|7.5|10}} (7.5/10) | |||
| |September [[1996]] | |||
| |Ryan Schreiber | |||
| |<small>''"Pinkerton might actually be a bit much for fans who were wooed with the clean production and immediately accessible sound of these guys' debut, but if given a chance, it might surprise even some anti-Weezer folk."''</small><br><br><span style="float:right">[[Pinkerton Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[The Green Album]]'' (2001)<br>[[Image:Weezer Green.jpg|100px]]</center> | |||
| |{{Rating-big|4|10}} (4/10) | |||
| |[[May 14]], [[2001]] | |||
| |Spencer Owen | |||
| |<small>''"The new self-titled Weezer album, as it turns out, is average from beginning to end. There are maybe one or two decent melodies out of the ten songs here, and the only change in tone comes with "[[Island in the Sun]]," the album's only truly enjoyable song and its catchiest hook. It's the first and only moment of even moderate pleasure in the record's brief yet far too long 28-minute length."''</small><br><br><span style="float:right">[[Weezer (The Green Album) Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Maladroit]]'' (2002)<br>[[Image:Weezer Maladroit.jpg|100px]]</center> | |||
| |{{Rating-big|5.4|10}} (5.4/10) | |||
| |[[May 27]], [[2002]] | |||
| |Rob Mitchum | |||
| |<small>''"Don't come looking for any of the eccentric flourishes of "[[Undone]]" or "[[El Scorcho]]," as Maladroit is predominantly a one-note, homogenous affair. Deviations from the hard-rock mean are whiffs: "[[Death and Destruction]]" slows things down for some nazel-gaving, but can't come close to the emotional weight of a "[[Say It Ain't So]]," for example."''</small><br><span style="float:right">[[Maladroit Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Make Believe]]'' (2005)<br>[[Image:Weezer Make Believe.jpg|100px]]</center> | |||
| |{{Rating-big|0.4|10}} (0.4/10) | |||
| |[[May 8]], [[2005]] | |||
| |Rob Mitchum | |||
| |<small>''"Sometimes an album is just awful. ''Make Believe'' is one of those albums. Weezer have been given a lot of breaks in their second era-- both ''[[The Green Album]]'' and ''[[Maladroit]]'' were cut miles of slack despite consisting of little more than slightly above-average power-pop."''<br></small><br><span style="float:right">[[Make Believe Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[The Red Album]]'' (2008)<br>[[Image:Weezer The Red Album.jpg|100px]]</center> | |||
| |{{Rating-big|4.7|10}} (4.7/10) | |||
| |[[June 2]], [[2008]] | |||
| |Marc Hogan | |||
| |<small>''"Already a self-described "old man" on Pinkerton, Cuomo is focused these days on reliving his lost youth-- probably the same reason some of us still listen to Weezer albums."''<br></small><br><span style="float:right">[[Weezer (The Red Album) Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Raditude]]'' (2009)<br>[[Image:Weezer-raditude-cover.jpg|100px]]</center> | |||
| |{{Rating-big|4.5|10}} (4.5/10) | |||
| |[[November 4]], [[2009]] | |||
| |Rob Mitchum | |||
| |<small>''"The Weezer frontman seems to be stuck in an eternal puberty, forever 13... It's a characteristic that has always been at the heart of Weezer, from "In the Garage" onward. But it's never been more concentrated than on Raditude, which, from its goofy name and cover art to its Mountain Dew-jacked sound and melodramatic lyrics, is designed to hit 13-year-old boys directly on target."''<br></small><br><span style="float:right">[[Raditude Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Hurley]]'' (2010)<br>[[Image:Weezer Hurley.jpg|100px]]<br></center> | |||
| |{{Rating-big|5.0|10}} (5.0/10) | |||
| |[[September 17]], [[2010]] | |||
| |Ian Cohen | |||
| |<small>''"Is this a bad album on its own terms, a rush job that could have worked better were the band not releasing records at this pace? Or was Weezer always a goofy pop band subjected to indie ideals they never believed in?''</small><br><br><span style="float:right">[[Hurley Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Pinkerton|''Pinkerton'' (Deluxe)]] (2010)<br>[[Image:Weezer Pinkerton.jpg|100px]]<br><br>''[[Death to False Metal]]'' (2010)<br>[[Image:Death to false metal.png|100px]]</center> | |||
| |''Pinkerton'':{{Rating-big|10|10}} (10/10)<br><br>''Death to False Metal'':{{Rating-big|3.5|10}} (3.5/10) | |||
| |[[November 3]], [[2010]] | |||
| |Ian Cohen | |||
| |<small>''"The supposedly juvenile feelings of Pinkerton still pack visceral power years after listeners would've supposedly outgrown them. It's a record that reaches well beyond a diaristic look at Cuomo's perversions, and instead asks something more universal: Do we really grow out of our teenage feelings, or do we need something like Pinkerton to expose them as merely being repressed to the point where they mutate?"''<br><br>''"But as a clearinghouse for an increasingly prolific band, ''False Metal'' isn't particularly generous. In fact, judging from its wacky title/cover combo, 10-song tracklist, and overall quality, it dubiously achieves Cuomo's stated goal of creating the logical follow-up to ''[[Hurley]]''."''</small><br><br><span style="float:right">[[Pinkerton (Deluxe) / Death to False Metal Pitchfork Media record reviews|Read full review]]</span> | |||
|- | |||
| |<center>''[[Everything Will Be Alright in the End]]'' (2014)<br>[[Image:Weezer EWBAITE.jpg|100px]]<br></center> | |||
| |{{Rating-big|6.5|10}} (6.5/10) | |||
| |[[October 2]], [[2014]] | |||
| |Ian Cohen | |||
| |<small>''"There have been many ways to qualify praise for Weezer and with each successive listen, ''Everything Will Be Alright in the End'' certainly earns the typically backhanded compliments: “actually not terrible,” “certainly better than ''[[Hurley]]'',” “probably their best since...''[[Maladroit]]'', that was good right?” Or, ''Everything'' could be accepted for what it is and be held to a more manageable standard: how good does a Weezer album have to be before it can be considered actually good? As it turns out, about this good.."''</small><br><br><span style="float:right">[[Everything Will Be Alright in the End Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Weezer (The White Album)]]'' (2016)<br>[[Image:Weezer The White Album.jpg|100px]]<br></center> | |||
| |{{Rating-big|6.2|10}} (6.2/10) | |||
| |[[March 30]], [[2016]] | |||
| |Zoe Camp | |||
| |<small>''"...we listen [to this album] for reassurance that our beloved Weezer can avoid relapsing completely into embarrassment—and by those parameters, mediocre may as well be magnificent. "''</small><br><br><span style="float:right">[[Weezer (The White Album) Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[The Blue Album]]'' (1994)<br>[[Image:Weezer-blue-album.jpg|100px]]<br></center> | |||
| |{{Rating-big|10|10}} (10/10) | |||
| |[[February 26]], [[2017]] | |||
| |Jillian Mapes | |||
| |<small>''"You couldn’t quite tell if Cuomo was mocking his song’s regressive narrators or sympathizing with them. But once you got past his defense mechanisms and sorting through the humor and cultural references, you found a portrait of a young man’s psyche, riddled with angst and insecurity. And it arrived on the wings of massive riffs and gnarled guitar solos that sounded like they were emanating from a Flying V—on every single song."''</small><br><br><span style="float:right">[[Weezer (The Blue Album) Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Pacific Daydream]]'' (2017)<br>[[Image:Weezer Pacific Daydream.png|100px]]<br></center> | |||
| |{{Rating-big|4.3|10}} (4.3/10) | |||
| |[[October 26]], [[2017]] | |||
| |Saby Reyes-Kulkarni | |||
| |<small>''"Looking back, it’s no surprise that Cuomo’s distinct combination of fuzzy guitar riffs, sunny hooks, unabashed awkwardness, and roiling internal conflict struck such a profound nerve. But for the second album in a row, Cuomo anchors the music more specifically to California. Sure, that’s worked for scores of artists in the past, but a crucial part of Weezer’s appeal was that you could believe they came out of ''any'' garage on ''any'' tree-lined cul-de-sac in ''any'' suburban zip code in the U.S. ''Pacific Daydream'', in spite of its name, mostly just gives you a feeling of being nowhere."''</small><br><br><span style="float:right">[[Pacific Daydream Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Weezer (The Black Album)]]'' (2019)<br>[[Image:Weezer The Black Album.png|100px]]<br></center> | |||
| |{{Rating-big|5.7|10}} (5.7/10) | |||
| |[[March 4]], [[2019]] | |||
| |Peyton Thomas | |||
| |<small>''"But this striving for the new and different comes at a cost. There’s no emotional throughline on The Black Album, no grand statement that continues from one track to the next. The songs never blur together, but they also don’t tell a story as the sum of their parts. A sense of tonal whiplash ensues, and the album’s highlights are best enjoyed in isolation."''</small><br><br><span style="float:right">[[Weezer (The Black Album) Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[OK Human]]'' (2021)<br>[[Image:Weezer OK Human album.jpg|100px]]<br></center> | |||
| |{{Rating-big|5.8|10}} (5.8/10) | |||
| |[[February 1]], [[2021]] | |||
| |Ian Cohen | |||
| |<small>''"Yet even as he writes about dodging Zoom interviews and what he ate for dinner, it still feels as impersonal as water-cooler small talk; both effortless and try-hard at the same time. “Numbers” or “Screens” or “Aloo Gobi” or “Here Comes the Rain” say nothing novel about living in 2021 (i.e., social media is an endless, no-win competition; we spend even more time on our phones; even enjoyable routines can become exhausting) aside from confirming that Rivers Cuomo still lives amongst the rest of us."''</small><br><br><span style="float:right">[[OK Human Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[Van Weezer]]'' (2021)<br>[[Image:Weezer Van Weezer.png|100px]]<br></center> | |||
| |{{Rating-big|5.9|10}} (5.9/10) | |||
| |[[May 13]], [[2021]] | |||
| |Evan Rytlewski | |||
| |<small>''"The title promises Van Halen, but the volume rarely exceeds Rick Springfield. Paired with Cuomo’s eternally boyish voice, the result is a cuddly, Build-a-Bear tribute to ’80 metal, with little of the rowdiness this music embodied in its heyday. The only parents this metal could piss off are ones with strong opinions about ''Pinkerton.''"''</small><br><br><span style="float:right">[[Van Weezer Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[SZNZ: Spring]]'' (2022)<br>[[Image:Szns spring art.jpg|100px]]<br></center> | |||
| |{{Rating-big|4.4|10}} (4.4/10) | |||
| |[[March 29]], [[2022]] | |||
| |Brady Gerber | |||
| |<small>''"None of these songs feel any less guitar-driven than past Weezer songs, but what’s notable is what Cuomo says later: that 90% of ''SZNZ'' was written during lockdown, with the remaining work now recording and producing the remaining EPs on tight deadlines. That’s how ''Spring'' feels: a lot of planning, a shrug to finish. Like ''OK Human'', this is a product of the pandemic. Unlike ''OK Human'', it actually sounds like it."''</small><br><br><span style="float:right">[[SZNZ: Spring Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
| |<center>''[[SZNZ: Summer]]'' (2022)<br>[[Image:SZNZ-Summer-Art.jpeg|100px]]<br></center> | |||
| |{{Rating-big|4.2|10}} (4.2/10) | |||
| |[[June 30]], [[2022]] | |||
| |Jesse Locke | |||
| |<small>''"The band has described 'SZNZ: Summer'' as an 'angrier, indignant scorcher of an EP' compared to the 'light-hearted tone' of ''SZNZ: Spring''. This is most obvious on “What’s the Good of Being Good,” a Stanley Ipkiss-style incel anthem about nice guys finishing last with 'no loving wife to smile at me/No daughter to dote on with pride.' Sadly, Cuomo seems like he hasn’t learned anything in the 26 years since he sang about a woman who should be attracted to him even if she’s not interested in men. If Weezer ever wants to evolve, they should start by reflecting on why they still write songs like whiny teenage boys."''</small><br><br><span style="float:right">[[SZNZ: Summer Pitchfork Media record review|Read full review]]</span> | |||
|- | |||
|} | |||
===Songs=== | |||
{| class="wikitable sortable" style="width:70%; height: 350px;" "float:left; clear:none; font-size:.9em; text-align:center;" | |||
! style="background: #7ad;" |Release | |||
! style="background: #7ad;" |Rating | |||
! style="background: #7ad;" |Review date | |||
! style="background: #7ad;" |Author | |||
! style="background: #7ad;" |Excerpt | |||
|- | |||
| |<center>"[[You Won't Get With Me Tonight]]"<br>(1995)<br>[[Image:Gimme Skelter Cover.jpg|100px]]</center> | |||
| |{{Rating-big|3.0|5}} (3.0/5) | |||
| |[[April 22]], [[2004]] | |||
| |Christopher Weber | |||
| |<small>''"A fun relic from a more innocent time, it's one that Weezer fans will definitely want to seek out while waiting for that next album."''</small><br><br><span style="float:right">[[You Won't Get With Me Tonight Pitchfork Media track review|Read full review]]</span> | |||
|- | |||
| |<center>"[[Beverly Hills]]" (2005)<br>[[Image:Weezer beverly hills.jpg|100px]]</center> | |||
| |{{Rating-big|1|5}} (1/5) | |||
| |[[March 22]], [[2005]] | |||
| |Nick Sylvester | |||
| |<small>''"For Chrissake, somebody give [[Cuomo]] a star so we can forget about him again. "''<br></small><br><span style="float:right">[[Beverly Hills Pitchfork Media track review|Read full review]]</span> | |||
|- | |||
| |<center>"[[Pork and Beans]]" (2008)<br>[[Image:Weezer Pork and Beans.jpg|100px]]</center> | |||
| |Not given | |||
| |[[April 17]], [[2008]] | |||
| |Marc Hogan | |||
| |<small>''"...unlike anything on 2005's justly panned ''[[Make Believe]]'', I have so far managed to listen to it without drowning it out in my own drunken imprecations or getting weird looks from bartenders."''<br></small><br><span style="float:right">[[Pork and Beans Pitchfork Media track review|Read full review]]</span> | |||
|- | |||
| |<center>"[[Can't Stop Partying]]"<br>[[Image:Weezer-raditude-cover.jpg|100px]]</center> | |||
| |{{Rating-big|3|10}} (3/10) | |||
| |[[October 30]], [[2009]] | |||
| |Scott Plagenhoef | |||
| |<small>''"Problem is, the joke/comment here on "Can't Stop Partying" is one-note and, ultimately, a snooze.''"<br></small><br><span style="float:right">[[Can't Stop Partying Pitchfork Media track review|Read full review]]</span> | |||
|} | |||
== Other == | |||
*Pitchfork's staff ranked ''[[The Blue Album]]'' and ''[[Pinkerton]]'' as the 26th<ref>"Top 100 Albums of the 1990s" ''Pitchfork''. http://pitchfork.com/features/staff-lists/5923-top-100-albums-of-the-1990s/8/</ref> and 53rd<ref>"Top 100 Albums of the 1990s" ''Pitchfork''.http://pitchfork.com/features/staff-lists/5923-top-100-albums-of-the-1990s/5/</ref> best records of the 90s, respectively. | |||
*"[[Pork and Beans]]" was ranked as the third-best video of the 2000s,<ref>Plagenhoef, Scott. "The Top 50 Music Videos of the 2000s" ''Pitchfork''. 31 August 2009. https://pitchfork.com/features/lists-and-guides/7695-the-top-50-music-videos-of-the-2000s/</ref> and included in the list of the top 40 music videos of 2008.<ref>Plagenhoef, Scott and Richardson, Mark "Top 40 Music Videos of 2008" 4 December 2008. http://pitchfork.com/features/staff-lists/7565-top-40-music-videos-of-2008/4/</ref> | |||
*"[[We Are All On Drugs]]" was chosen as one of the 15 worst releases of 2005.<ref>Schreiber, Ryan. "2005 Comments & Lists: The 15 Worst Releases of 2005" ''Pitchfork''. 15 December 2005. https://pitchfork.com/features/lists-and-guides/6219-2005-comments-lists-the-15-worst-releases-of-2005/</ref> | |||
*Weezer's performance at Lollapalooza in 2005 was reviewed by the site.<ref>Mitchum, Rob. "The Museum of Alternative Rock." ''Pitchfork''. 1 August 2005. https://pitchfork.com/features/article/6104-the-museum-of-alternative-rock/</ref> | |||
*The album cover of "''[[Maladroit]]''" was chosen as one of the worst record covers of all time.<ref>DiCrescenzo, Brent "The Worst Record Covers of All Time" ''Pitchfork''. 14 November 2005. http://pitchfork.com/features/staff-lists/6194-the-worst-record-covers-of-all-time/7/</ref> | |||
*A [[2021]] feature by Pitchfork ranked Weezer as the artist with the lowest average Pitchfork review score of any artist with ten or more reviews.<ref>Borovinsky, Kelsey. "Pitchfork’s Reviews Section By the Numbers." ''Pitchfork''. 26 May 2021. https://pitchfork.com/features/lists-and-guides/25-years-of-pitchfork-reviews-by-the-numbers/</ref> | |||
*The [[2021]] Weezer single "[[Tell Me What You Want]]" explicitly references Pitchfork in its lyrics. ("Don't be influenced by an office full of dorks / I won't mention any names... [coughing] ''Pitchfork''") | |||
==External links== | |||
*[http://www.pitchforkmedia.com/article/feature/48163-interview-rivers-cuomo 2007 Interview with Rivers Cuomo] | |||
*[http://www.pitchforkmedia.com/article/news/146861-rivers-cuomo-talks-alone-ii-weezer-that-hair 2008 Interview with Rivers Cuomo] | |||
==References== | |||
<references /> | |||
[[Category:Websites]] | |||
[[Category:Pitchfork Media]] | |||
[[Category:Music criticism]] | |||