Pitchfork: Difference between revisions
no edit summary
(migrating to Pitchfork) |
No edit summary |
||
| Line 82: | Line 82: | ||
| |[[October 26]], [[2017]] | | |[[October 26]], [[2017]] | ||
| |Saby Reyes-Kulkarni | | |Saby Reyes-Kulkarni | ||
| |<small>''"Looking back, it’s no surprise that Cuomo’s distinct combination of fuzzy guitar riffs, sunny hooks, unabashed awkwardness, and roiling internal conflict struck such a profound nerve. But for the second album in a row, Cuomo anchors the music more specifically to California. Sure, that’s worked for scores of artists in the past, but a crucial part of Weezer’s appeal was that you could believe they came out of ''any'' garage on ''any'' tree-lined cul-de-sac in ''any'' suburban zip code in the U.S. ''Pacific Daydream'', in spite of its name, mostly just gives you a feeling of being nowhere."''</small><br><br><span style="float:right">[[Pacific Daydream Pitchfork | | |<small>''"Looking back, it’s no surprise that Cuomo’s distinct combination of fuzzy guitar riffs, sunny hooks, unabashed awkwardness, and roiling internal conflict struck such a profound nerve. But for the second album in a row, Cuomo anchors the music more specifically to California. Sure, that’s worked for scores of artists in the past, but a crucial part of Weezer’s appeal was that you could believe they came out of ''any'' garage on ''any'' tree-lined cul-de-sac in ''any'' suburban zip code in the U.S. ''Pacific Daydream'', in spite of its name, mostly just gives you a feeling of being nowhere."''</small><br><br><span style="float:right">[[Pacific Daydream Pitchfork record review|Read full review]]</span> | ||
|- | |- | ||
| |<center>''[[Weezer (The Black Album)]]'' (2019)<br>[[Image:Weezer The Black Album.png|100px]]<br></center> | | |<center>''[[Weezer (The Black Album)]]'' (2019)<br>[[Image:Weezer The Black Album.png|100px]]<br></center> | ||